South Korea
Photo Booth
The Henri Cartier-Bresson of South Korea
Han Youngsoo chronicled the postwar transformation of mid-century Seoul, complicating popular depictions of that era as one solely of deprivation and hardship.
By E. Tammy Kim
This Week in Fiction
Lee Chang-dong on South Korea in the Nineteen-Eighties and Today
The author discusses his story “The Leper.”
By Cressida Leyshon
The Lede
In South Korea, a Blueprint for Resisting Autocracy?
After President Yoon Suk-yeol ordered martial law, the legislature voted to impeach him. But it could take months to remove him from office, and uncertainties remain.
By E. Tammy Kim
The Lede
A Coup, Almost, in South Korea
President Yoon Suk-yeol declared martial law, then backed off, in a matter of hours. He now faces impeachment and mass protests.
By E. Tammy Kim
The Lede
The Rise of 4B in the Wake of Donald Trump’s Reëlection
Why the South Korean feminist movement, which calls for a boycott of men, is gaining traction among American women.
By E. Tammy Kim
Daily Comment
The Worrying Democratic Erosions in South Korea
In recent months, authorities have raided offices of press outlets publishing critical reports on President Yoon Suk-yeol.
By E. Tammy Kim
Persons of Interest
Kim Hyesoon’s Animal Obsessions
The Korean poet, now in her fifth decade in the public eye, inhabits a world of knives and carcasses and dark orifices—a fantasia of feminine rage.
By E. Tammy Kim
The Front Row
Hong Sangsoo’s “Walk Up” Signals a Break from Routine
The prolific director’s latest movie relies and reflects on his famously low-budget filmmaking system.
By Richard Brody
Culture Desk
The Self-Taught Artist Whose Work Tells the History of Modern Korea
Oh U-Am’s paintings depict working-class life in this century and last, yet seem to exist in the timeless space of allegory.
By E. Tammy Kim
Dispatch
Surfing Through Korea’s War Games
Every fall, U.S. and South Korean forces conduct drills in waters shared by North Korea and China. This year, I saw the exercises up close.
By E. Tammy Kim
Personal History
Longing for More Stoppage Time
The World Cup brings back the man who made me love this beautiful game.
By Julia Cho
Dispatch
In Itaewon, Another Betrayal of Young Koreans
Why have politicians and bureaucrats, of both major parties, failed so radically at the basic provision of public safety?
By E. Tammy Kim
The Front Row
“The Novelist’s Film,” Reviewed: A Drama of Artistic Crisis from a Wildly Prolific Director
In Hong Sangsoo’s latest, a blocked writer tries to relaunch herself as a filmmaker.
By Richard Brody
Comma Queen
How I Spent My Summer Vacation
I went to Seoul and visited a library that has a set of bound volumes of The New Yorker.
By Mary Norris
Cultural Comment
The Door Opened by “Gangnam Style”
The global hit primed Western audiences for films and shows about South Korea as a dystopia.
By Colin Marshall
Culture Desk
How BTS Became One of the Most Popular Bands in History
In an age of despair and division, a boy band from South Korea remixed the rules of pop and created a fandom bigger than Beatlemania.
By E. Tammy Kim
The Front Row
“Clytaemnestra,” Reviewed: A Tyrannical Director Looms Over a Backstage Hothouse
Plus: a longlist of other daring, underseen independent and international films to be found on MUBI.
By Richard Brody
Screening Room
The Cost of Justice in the Aftermath of Tragedy
In “Georgia,” the Korean American filmmaker Jayil Pak draws on the notorious 2004 Miryang gang-rape case to relate a story of parents struggling to hold their daughter’s abusers to account.
By Mengfei Chen
The New Yorker Radio Hour
What Makes a Mass Shooter?
The authors of “The Violence Project” note that mass shootings have risen alongside overdoses and other deaths of despair—which is not a coincidence.
The New Yorker Interview
Hong Sangsoo Knows if You’re Faking It
The prolific Korean director talks about sincerity, Cézanne, and the nature of reality.
By Dennis Lim