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Open Questions
How Do You Know When a System Has Failed?
We see broken systems all around us. At least, we think we do.
By Joshua Rothman
Critic’s Notebook
Blake Lively, Justin Baldoni, and the Collapse of the Hollywood #MeToo Era
The reportage that thrived in the late twenty-tens cannot break through on today’s volatile Internet, where information is misinformation and victims are offenders.
By Doreen St. Félix
The Front Row
The Enigmatic Artistry of Terrence Malick
The director has long shunned the spotlight, but his work conveys the force of a mighty personality. A new biography offers a rare look at his life and work.
By Richard Brody
Books
Does One Emotion Rule All Our Ethical Judgments?
When prehistoric predators abounded, the ability to perceive harm helped our ancestors survive. Some researchers wonder whether it fuels our greatest fights today.
By Elizabeth Kolbert
A Critic at Large
Why Zora Neale Hurston Was Obsessed with the Jews
Her long-unpublished novel was the culmination of a years-long fascination. What does it reveal about her fraught views on civil rights?
By Louis Menand
The New Yorker Interview
The Liberated Life of Colman Domingo
The actor discusses the West Philly musicians that inspired his style; the rejection that nearly made him quit show business; and the experience of making “Sing Sing” with former members of a prison theatre troupe.
By Michael Schulman
Annals of Appearances
A City on Fire Can’t Be Photographed
The images of a burning Los Angeles won’t last, simply because our ways of seeing are inadequate to our predicament.
By Teju Cole
Drinks with The New Yorker
Britain’s Badger Wars
The animals are being killed in droves. Are they pests or political pawns?
By Anna Russell
On Television
The New Season of “Severance” Is All Work and No Play
The sci-fi series was hailed as a dark, timely satire of office life—but its return is bogged down by abstract ethical conundrums and rote emotional ones.
By Inkoo Kang